I find that one of the advantages of having worked as a professor (now Emerita ) of German at the University of Wisconsin, Milwaukee, is that it helped me gain perspective. When I study literature–especially in languages other than English–I am forced to step outside of my everyday world to identify the motif and leitmotif of the author. I am proposing that the medical training of these five authors helped them do the same: to dig below the surface to find other structures and root causes and to present their findings and unique diagnoses.
I wrote
A Nazi Camp Near Danzig: Perspectives on Shame and on the Holocaust from Stutthof
Döblin was a practicing Jewish psychiatrist in Berlin when the Nazi regime drove him and his family into exile in France. Already an established and prolific writer, he was forced into a clandestine existence on the run in France.
This memoir essentially depicts the anatomy of life in exile, the isolation from community, whether in France or later as one of the many exiles from Nazi Germany living and working as writers for the film industry in Hollywood. Döblin returned after the war to work in the French zone of a shattered Germany in the uniform of a French officer. His commentary is a masterpiece of psychological analysis both at the personal and collective level.
Reissued as a paperback by Plunkett Lake Press, Destiny's Journey is a memoir reconstructed partly from notebooks that Döblin kept from the time he worked in the French Ministry of Information in the spring of 1940 and partly written without notes in Los Angeles where he took refuge during the Second World War. It tells the personal and generational story of the flight of Jewish and anti-Nazi intellectuals from Europe to America, their fear and frustration, isolation, and inability to work. Döblin’s story differs from that of other Jewish intellectuals and artists in that his family converts to Catholicism in…
Written by a clinical psychologist with a keen eye for dissection, Cloud explores the concept of trust and its components, which he presents as understanding, motive, ability, character, and track record.
The loss of trust is a key issue in today’s world, and this author puts the personal and societal implications under his microscope. Cloud’s book will make you think twice before you make a major decision.
Trust is the fuel for all of life. We are wired biologically, neurologically, emotionally, spiritually, and psychologically to trust. Trust is the currency that drives every relationship, beginning with the foundational bond between infants and their mothers, extending to the trust networks that undergird every human endeavour - art, science, commerce - and binding together every relationship we have ever had or ever will have. Nothing in our world works without trust.
It is tempting to think that trust is simple, that we should be able to spot a lack of trustworthiness relatively easily. But we all have our stories…
Beauty transcends transience and remains a thing of beauty that is a joy forever. The words of the odes of John Keats are familiar, but we forget that the poet was originally apprenticed to a surgeon in 1811. He knew disease and death firsthand, and many of his odes were written while he himself was suffering.
His medical training and recognition of death informed his vivid imagery; his awareness of the brevity of life compelled him to capture beauty in the ephemeral and transcendence in the transient. I boldly propose that Keats’s poetry would resonate with this generation of young readers. They will lean into its musicality and find comfort in the cadence of his verse.
Helen Vendler widens her exploration of lyric poetry with a new assessment of the six great odes of John Keats and in the process gives us, implicitly, a reading of Keats's whole career. She proposes that these poems, usually read separately, are imperfectly seen unless seen together-that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics.
Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man,…
A professor of Medical Law and prolific writer, McCall has entertained and delighted many readers in the UK. He is at his most amusing when he dissects the learned community. His depiction of the anatomy of academic pomposity is essential reading for anyone who has ever stood behind a podium. Yet his satire is never bitter or mean-spirited.
The book listed above is guaranteed to make you laugh, whether you are a student who is required to take certain humanities courses from an indescribably boring professor or a colleague of one. Sadly, you will quickly recognize that your obsession with irregular verbs in another language places you in the same surgical ward.
The third novel in the 'Portuguese Irregular Verbs' trilogy sees von Igelfeld suffering the slings of academic intrigue as a visiting fellow at Cambridge, and the arrows of outrageous fortune in an eventful Columbian adventure. Between trips, von Igelfeld returns to his beloved Regensburg only that to discover while he has been away his murine colleagues have been at play.
I recommend these short stories for both younger and older readers. In the latter case, they may well be re-reads and if so, they are essential reading in that they lead the reader to reevaluate past aspirations and ambitions. Chekhov’s medical training is immediately apparent in his uncanny ability to dissect both personal and societal issues.
Though the diagnosis is frequently abrupt and unexpected, the treatment is less obvious. For example, in Gooseberries, written in 1898 as part of a trilogy, the reader is left with no doubt about the diagnosis of the social pretentiousness and even cruelty of the central character, but the possibility that happiness is elusive lingers like the pervasive smell of tobacco on the armchair. These stories are a must-read by the fireside on a rainy night, with the wind howling outside.
Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.
Considered the greatest short story writer, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as “The Huntsman” and the tour de force “A Boring Story,” to his best-known…
I wrote this book to bring to light a part of World War II history shrouded in shadow. Within the vast network of Nazi camps, the Stutthof concentration camp may be the least known beyond Poland, but it was no less lethal than other camps of the Third Reich.
This book is the first scholarly publication in English to break the silence of Stutthof, where 120,000 people were interned and at least 65,000 perished. It considers a wide range of voices, from the well-known Nobel Prize winner, Günter Grass, to the voices of the thousands who would otherwise remain forgotten and silent. I draw from archival and literary sources, including memoirs, so that we can hear the voices of the victims.
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
